For ALL Lunar Lunatics…

The unearthly nature of moonlight – alternating between phases of shadowy darkness and crystal-clear brilliance – has inspired both awe and fear, leading to a variety of diverse lunar myths. The word “lunatic” is related to the belief that moonlight – especially during the full moon phase – induces madness. This superstition may in part reveal the origins of many nocturnal monsters – especially those of the shape-shifting variety (werewolves, vampires, etc.).

 

“Selene, circle of gleaming gold, daughter of radiant belted Helios…”

-Euripides

“Celine thee moon, that is the most revered of stars, THE EYE of NIGHT…”

-Aeschylus

“Rosy-fingered Selene after sunset, surpassing all the stars (astra), and her light spreads alike over the salt sea and the flowery fields; the dew is shed in beauty, and roses bloom, and tender chervil and flowery meillot.”

-Sapphos

“She is the ruler of tides of flux and reflux. The waters of the Great Sea answer unto her, likewise the tides of all earthly seas, and she ruleth the nature of woman.”

-Dion Fortune

“There are two things you cannot hide for very long – the moon, and the truth.”

-Proverb

Our ability as humans to observe, record, and “keep” time is thought to have evolved from the lunar phases. As one of the few natural patterns that repeats itself both frequently enough, and visibly enough to allow early humans to grasp its cyclical nature – the waxing and waning of the moon offered a predictable rhythm – that could in turn be compared to other natural rhythms. With each half of the cycle punctuated by a dramatic visual extreme – the brilliant full moon and the dark, shadowy new moon – the lunar cycle echoes the same dark to light transition characteristic of night and day. As an intermediate between fairly “obvious” short-term cycles in nature (e.g., night & day; warm & cold seasons: wet & dry periods) – and less obvious long-term cycles (e.g., months; years; planetary orbits, etc.) – the lunar phases gave humans the perfect reference point to begin calculating “time” as a cycle. Like the Rosetta Stone, the lunar phases gave humans the key knowledge to identify thousands of related patterns that would otherwise remain unobservable. With a high level of continuity and consistency over time, the lunar cycle could be isolated and understood fairly easily. It is this ideal combination of ambiguity and certainty, unknown and known, obscure and obvious that make certain patterns accessible – and others entirely out of reach. The search for this “sweet spot” will always define our existence as living beings; however, when we have finally mastered the essence of ALL LIFE (not just our own), we will realize that reciprocity, interconnectedness, symbiosis, and equality are the ULTIMATE “sweet spot” for all creatures. And everything in life will feel “just right…”

Lunar Eclipse: The Dark AND Bright Side of the Moon

Saving Happily-Ever-After

Earlier today I wrote something on Facebook as a status update – and I think it bears repeating, and elaboration.

After attending the East Somerville Foodie Crawl last night, I found myself thinking [yet again] about the politics of my local economy. Although these issues seem specific to time and location, it has become all too apparent that [East] Somerville is but another redundant chapter in a familiar, yet unavoidably tragic, tale that we all know by heart. Dare we to dream of another ending, another outcome – a happily-ever-after for ourselves?

To do so, we must dismiss our preconceived notions of what it means to be the hero, heroine or savior – empowering ourselves, rather than some unseen, intervening force – as the authors of our own destiny.

I always say that every woman has the magic within herself to be her own fairy godmother… So that must also mean that every person has the authority to rewrite his/her own story – and that every community has the power to save itself from being written off as insignificant!

Just as an ecosystem requires diversity, so too does our local economy. By offering authentic, high-quality versions of various ethnic cuisines, cultural artifacts and handmade products, small business owners keep their culture, and the American dream alive. Most small businesses naturally increase the sustainability of the entire community by reducing the number of unnecessary “outsourced” steps needed to complete any given economic transaction. Because they need to keep costs low, many small businesses refrain from the wasteful, extravagant, and excessive practices of larger companies. Less likely to invest in frivolous packaging, advertising and product “embellishment,” small businesses contribute to environmental conservation simply because most of the budget is reserved for product quality – rather than superficial appearance. Ironically, it is the limited nature of profits/available funds that keeps small business owners intimately connected to their community, past patrons, and all investors. Once a business becomes so large that it no longer “needs” its original clientele to turn a profit, it begins to invest more in growing, and less in providing a reliable, high-quality product or service.

Furthermore, once a business no longer relies upon “loyal” neighborhood customers or “regulars” for its profit – it begins to depersonalize both its employees and its customers. Because all of the involved labor is simply a means to one end [growth], employees are no longer seen as collaborators or colleagues. They become another expense, as do customers – and the goal becomes maximizing profit, at the expense of all but the original owner(s). And because money ceases to hold the value it once did when the business relied upon its customers to remain functional, large businesses become detached from the economic transactions they engage in – encouraging a sense of inflated self-worth, and deflating the value of all new employees, customers and investors who make contributions. As transactions become further detached from their origin – and the number of employees, customers and investors explodes beyond the level where relationships are involved – the business owner transcends all safeguards against immoral, selfish and/or entitled behavior. Falsely deriving business success from himself/herself, top business owners fail to recognize or reciprocate the contributions of those below them – equating employees with mere livestock or interchangeable parts – simply because they can “afford” to lose and replace any individual piece.

When the number of “middle men” involved in economic exchanges increases, the middle class decreases, because:

(a) “Middle men” are a form of excess – created to multiply the number of steps in an otherwise easy or self-explanatory process. “Middle men” generate profit by removing “laypersons” (“unqualified” individuals) from his/her authority to “serve himself/herself,” often using inflated terms or phrases like “qualified, certified, licensed, approved, and legally permitted” to justify the importance of these roles (e.g., attourneys). This is the same tactic used to create “novel” products that drive up demand – even when it would otherwise dwindle because a product is redundant, unnecessary or already owned by most of the targeted audience (e.g., seasonal nail polish colors and fashion). In short, a false need or state of deprivation is insinuated to provoke desire – and maintain a continuous illusion of scarcity, poverty and low status – to individuals who are relatively “wealthy” and successful. It creates need, when all needs are already met, and feeds off of the consequences. The “middle man” role also serves to alienate people from one another – using the same inflated certifications and qualifications as fuel for competitive aggression. This competition distracts most people from recognizing their own cooperation with a model that constantly devalues – yet insists they place high value upon – self-worth.

{You are all special, but only some of you are qualified enough to be called “nail technicians.” Only “the chosen” few, who braved beauty school  (ah… excuse me, cosmetology school!) are granted with the divine right to paint the fingers of the common masses! Now go forth, and share your gift with the world… but not until you’ve gone to school, taken out loans, crippled your future earning power, accumulated insurmountable debt, maxed out 3 credit cards, and accepted a minimum wage job from a chain salon for 10 years (to gain enough “experience” to EARN a full-time, health insurance-granting position as an employee with benefits)… God forbid you think you have the experience to start your own business or open a store! What do you know about painting nails…!?}  

(b) The average worker cannot save money for stable economic investments (e.g., car, house, college, etc.) that grow in value over time, because most resources must be surrendered repeatedly to various institutional “middle men” for their services (bank/ATM/service/processing fees). No house, car, or family vacation = No American Dream!

(c) Because these people feel frustrated and agitated by their lack of money – and want to purchase at least something that they alone can enjoy – individuals overindulge on luxury items and various temporary substitutes or replacements, which are riddled with even more fees (gambling, drugs, food, entertainment). Forced to “wait” for decades just to feel secure (while contributing ALL of their available time, energy and health to their employer for so little), many develop impulse control issues and cannot help but buy on credit (feeling they have already earned it, as they most likely have!). 

(d) The middle class becomes the working class simply because it is forced to literally become the “middle man” in order to survive and maintain an “acceptable” standard of living (which is also a fabrication… etc., etc.). 

{You may be saying} ENOUGH! Soooo much negativity! What can I do!??

The equation to happily-ever-after is simple: WAKE UP!  Dispel the trance you have fallen under – and confront the villain! If we are our own hero, then we too must be the evildoers. How can we remedy such an awful state of affairs?

You can help this cause by donating your monthly “take-out” or “restaurant” budget to your favorite local shop, stores and small businesses that genuinely benefit from your support – no matter how meager. Small businesses across the country serve as an indicator of healthy, growing, and changing economy; scarcity of the entrepreneurial spirit indicates a lack of opportunity and the oppression of individuality. And once you save your own happily-ever-after from crashing and burning, return the favor and save someone else from economic oppression!

When small businesses are “hunted” into extinction by corporate greed, the middle class becomes an endangered species. Encourage diversity by supporting businesses that cherish and take pride in the cultural heritage they represent – avoid contributing to businesses that use the term “ethnic” simply to drive sales. Above all, remember that your contribution is part of something far larger than yourself – and that all monetary transactions are personal and meaningful – no matter what you have been told to believe. There is always another person, family or child that will benefit or suffer from the effects of an unhealthy economic model.

I <3 East Somerville Foodie Crawl!

 

A Fairytale, or Origin Myth of Clarissa Cupcake (AKA My First Burlesque Experience)

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So sweet you will go into diabetic shock!

Once Upon a Time,

There was a graduate student named Natasha Lee Q-T. She wanted to share the most beautiful revelation of her graduate school life with her peers and professors, so she wrote the following tale entitled:

Bringing Sexy Back: “Joining” in Cultural Experiences

Spring 2012 115

Do you want it? I don’t believe you.

I first arrive at the Boston Babydolls Dance Studio, soaking from the heavy rain pouring outside. With trembling hands, I clutch my purse tightly to my chest as a flock of nervously giggling girls in leggings and high heels emerge. Everyone appears giddy with anticipation. At 8pm, the door to room 208 opens, revealing a small, mirrored dance studio where the course instructor, Miss Mina, welcomes us into her domain.
“Which one of you is Natasha?” Miss Mina asks.
I raise my hand sheepishly and walk into the room. The door closes behind me. Having had a personal interest in burlesque and gender studies, I have chosen to observe this dance studio as an intern in the cultural psychoanalysis program, but my intention of merely “observing” begins to change as the prospect of joining the dancers becomes more enticing.
Miss Mina hands me an attendance sheet, and I nervously open the door and ask all of the other students their names. Miss Mina turns on some music, as I stand in the corner holding onto my notebook for dear life. I really want to be in this class – to dance with the other students – to learn burlesque. But that idea seems so far from reality that the mere concept makes me feel faint, and my heart flutters as Miss Mina approaches me.
She asks, “Natasha, would you like to participate in the class with the other students? Most of our interns like to participate in the beginning burlesque class.”
I feel myself blushing as I consider the prospect of dancing. I remind myself that I am here as a researcher, but then again, “joining” is utilized as a modern psychoanalytic approach… to the distaste of many contemporary academic disciplines! While the most respected researchers in anthropology, sociology, and “modern” psychology only ascribe value to data collected through detached, empirical, “objective” observation, psychoanalysts believe that participant observation is still a worthy pursuit. Although experts in various fields insist that subjective research methods like this are “archaic,” “naïve,” technologically “primitive,” and “biased” by participation, I began to wonder… Could one also be “biased” by lack of participation – especially because the concept of “objective” empirical research implies a hierarchical, superiority-based privileging of observation versus direct experience? It simply assumes that a researcher is the superior authority on culture – rather than those who live within it! Standing there lost in my thoughts I realize that in order to truly understand the psychological dynamics behind burlesque theater, I need to immerse myself in burlesque culture. And I am absolutely thrilled, and terrified.
With an electric shiver of excitement mixed with fear I stutter, “B-but… I… I don’t have any high heels or gloves. Are you sure I can be in your class?” Being a studious young lady, I had read the class description online before attending – and I knew that gloves and heeled shoes would be part of the lesson plan.
“It’s fine,” Mina replies. “I have some extra gloves you can borrow for now.”
A moment of panic washes over me. I have always loved performance art and dance, yet I have little experience as a dancer, and sometimes, I find myself to be a bit clumsy. My hand-eye coordination is weak, and I feel ill with trepidation…
Somehow I manage to gather enough courage to forget every insecurity I have about my body and my ability to dance. I forget that I am a chubby, short girl, and I feel a bizarre empowerment wash over me. So what if these other girls see me naked? No matter what, I’m seeing them naked… And some of them are even chubbier than I am! Besides, burlesque dancers never take off all of their clothes anyhow – it’s really just the equivalent of wearing a rather skimpy bikini…
Still reeling with panic, I manage to mumble, “Okay, I’ll join you.”
Standing there in front of the mirror, I become hyper-aware of my curves, my facial expression, my posture. A mirror can really intimidate a novice dancer by echoing each of your mistakes on its surface and revealing every false move to spectators. I cannot meet my own eyes in the mirror. Again, I am trembling violently, and as the music begins, the pounding of my heart becomes a roar in my ears.
Adrenaline fills my body, energizing me for a “fight or flight” response to this tremendously daunting task. As we begin warm-up exercises, I feel my face turning pink as I blush – I cannot help but giggle almost continuously – and a huge smile appears on my face in the mirror.
Am I actually enjoying this? Yes, very much! In fact, I feel as if a new sense of purpose and vitality is entering my body. Miss Mina’s voice interrupts my racing thoughts.
Miss Mina states, “The first important move you will learn in burlesque is the “bump.” Imagine yourself holding a big bag of groceries and exiting your car. How can you close the car door with your hands full? You can use your hip – like this!” Mina rapidly moves one hip up to the side, creating a sensuous curve with the side of her body. The entire class mimics her movements, and to my surprise I complete the maneuver with ease. Beaming with pride, I pretend I am balancing groceries on my hip while I close my imaginary car door – blowing an exaggerated kiss to myself in the mirror to thank myself for being such a good audience!
Mina continues, “The bump can be performed in four directions: right, left, forwards and backwards. The forward bump is similar to the “pelvic thrust” in The Rocky Horror Picture Show. It looks very suggestive – even lewd. But you will find that burlesque balances precariously between suggestive, erotic and sexual themes – as well as themes of innocence, coyness, and traditional female gender stereotypes. The perfect tease blend elements of both, hitting the “sweet spot” or harmony between two extremes. The result of this fusion is public display of female sexuality and eroticism that remains somehow veiled in a thin mist of propriety. Some of these dance moves – like the forward bump – are not what proper ladies do in public, but in burlesque they may be used sparingly to entice and insinuate. As women, we are told not to make such lewd gestures with our bodies, but I encourage you to overcome this social stigma to perform this dance move.”

{I am reminded of satyr plays… or satire. Burlesque, it turns out, is laced with the most addictive, decadent, rich and delicious satire – that I thought it only fitting to eventually name myself after my favorite sweet yet deadly desert… and Clarissa Cupcake was born. Unlike Venus, born of sea foam, I imagined myself born of frosting… and perhaps sprinkles! It was like an endless sugar rush without the cavities or health concerns}.
The “bump” move is easy for me to pick up, though the forward and backward versions of the maneuver were far more difficult to perform than the side-to-side motions. I laugh at myself in the mirror, realizing that I am effectively humping the air in front of me. It does not look particularly sexy to me, but my performance seems adequate. As we practice removing our gloves in various ways, I begin to feel more confident and poised, and I am amazed how well I can actually dance!
After the class, I glance in the mirror and find my own image smiling back at me. My cheeks glow with warmth, and I feel intoxicated with elation. As I look in the mirror I realize how long it has been since I have seen myself so confident and happy and wonder how I became so estranged from joy in my adult life. I feel alive, radiant, and absolutely ecstatic! Tired yet excited, I leave class with a renewed passion for gender studies and even more determination to expel gender prejudice through research.
Perhaps my experience offers the perfect example of the power behind “joining” as a psychological mechanism in group membership. If I had never allowed myself to join the burlesque fantasy, I would not have developed the strong relationship I now have with the Boston Babydolls. It just goes to show that even in the research world, you do not understand a person until you walk a mile in their shoes… or rather, in their favorite pair of glittery high heels (should they happen to be a burlesque performer)!
It is through this process of shedding my clothes that I began to understand what psychoanalysts refer to as “dialectics”, and Buddhists refer to as “the middle way”, and thousands of philosophers, poets, etc. etc. pay homage to in their great works.Spring 2012 119
And from this greater understanding of this awe-inspiring place – the verge, horizon, cusp, crossroads, transition, and edge between worlds and concepts, where borders merge and the haze gives birth to new and strange things – that the Chain Reactions concept eventually emerged. No longer afraid of change or fluidity, I became an obsessed devotee of modular and hybrid design.

Tasha’s Birthday Wishes ~ 9.11.14 ~ Use LOVE to Start A Chain Reaction!

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Cupcakes from Roger last year – Way to motivate your sweetheart!

Life is a chain reaction. 

In fact, all emotions, mental states, physical states, and life events are also chain reactions.

Life in all of its manifestations is an interface.

Or, in other words, an interaction, chain reaction, cycle, circle, or web. There is no individual without the interface that created it; yet the interface also does not exist unless individuals create, experience and reinvent it.

Life is interactive.

It requires and exists in delicate balance between two transcendent “half-worlds” – one of the inside self or individual, and the other of the outside world or environment. Without the interactive collaboration between thousands of different contributors – friends, family, lovers, mentors, spiritual leaders and teachers – the gift of individual identity would never evolve into a full fledged inner realm of personal meaning. Likewise, without the individual to absorb, broadcast, reflect upon, and rebroadcast of the outer realm’s contents, the environment around us would not contain the abundance of ideas, concepts, experiences and possibilities it does now. It is through this mirroring, through the looking glass, through the eyes of others, and of ourselves that we become real. This truth gives us tremendous power to cooperatively evolve and transcend the past.

My birthday wish embodies all of these concepts, and wishes you a year of interactive, connected, fulfilling and beautiful chain reactions. ❤ LOTS, (from Natasha).

Mini Manifesto ~ Extended Birthday Wishes 2014

My birthday wish is that any who think of me take time to look at my Lace Exoskeleton blog, and modular designs.

For my gift to others cannot be shared unless I have the love and support of a community who – like myself, envisions a more sustainable, healthy, and creative alternative to conspicuous consumption and socio-economic oppression of the middle class. By liking, sharing, and commenting, you help me refine and focus my energy so that I can create things worthy of being bought, shared, loved and cherished.

Lace Exoskeleton is how I have fuzed my dreams, hopes, and aspirations – and is part of my attempt to “hybridize” my artistic practice and mental healthcare training. I consider all who purchase my designs to be artistic collaborators, and I invite you to experience the thrill of reawakening your inner creative spirit. The Chain Reactions modular concept was envisioned as a more satisfying, eco-friendly, and intellectually stimulating reinterpretation of the current destructive paradigm.

Every exchange – whether of products, currency or ideas – is a form of support, no matter what you have to offer. Wealth exists in the passion, drive and commitment of everyday people who share their lives to make a functional modern society. As friends, acquaintances, school mates, and family members, we share a connection that empowers us to use our various talents, gifts and skills as potent, life-changing forms of currency which we can use collectively to uplift and inspire others. This power manifests itself when you take time to invest in other peoples lives through your social network – leaving a comment, liking or sharing posts, and asking questions – helping others find things that they otherwise would never see.

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Cupcakes from Jess last year.

Your power has the potential to change lives, change our economy and revolutionize the exchanges we make on a daily basis. I dream of the day I can extricate myself from the degrading, depressing wrath of student loan companies who treat myself and many of my friends like slaves and animals to be bought and sold (not to mention marked, branded and controlled). When an artist makes it, support is usually the reason why it happened. Let’s transcend nameless, faceless economic transactions and embrace a paradigm where there are no winners nor losers – no mark up, nor profit, nor planned obsolesence – because both participants trade their wealth for something they need, increasing the wealth of both parties. In both social relationships and fair trades, both seller & buyer, producer & consumer, artist & audience, partner & partner must feel like they are “the lucky one” who “got the better end of the bargain”. It is about what we do to share homeostasis, technology, art and human creativity that gives us abundance – not what we can force others to surrender by force, nor coerce them into believing they need.

My designs seek to diffuse the “predator/prey” mentality of our economic lives, and allow more people to see their own power as investors in one another – capable of making any dream come true.

I dream of sharing what I have for what you have, with fairness, love and mutual benefit. I dream of collaborating, cooperating and exchanging our gifts andd talents to create a symbiosis of human efforts – rather than a parasitic plague upon all that makes us as humans so complex and diverse.

Giving to one who already has excess is an impersonal “purchase”, and the exchange is successful if the seller can inflate the price to make a profit. Giving to one who is in need – your friends, neighbors, local producers, start-ups, small businesses, artisans and neighborhood service providers (rather than large companies) – frees more of us to own our own businesses and give you products actually desiged to improve and enrich your life – not fall apart and make money off of your frustration. To share with your community is to give a gift to people who would otherwise not succeed – even though their products and services are far higher in quality and more sustainable.

My birthday wish is that anyone who reads this chooses to share their energy, resources and wealth (as much as possible) with “the fairest” businesses, uplifting ourselves by uplifting those who truly value, desire and need our contribution. When a consumer becomes a number, we resign ourselves to a life as “livestock”, driving profits for those whose only gaol is to further depersonalize, cheat and deceive us into empty exchanges that leave us wanting more… I

“Sexy Sweetheart” Necklace & Bracelet Design – Using COLOR to Convey Themes & Tell A Story

Summer Morning Dutch Baby Pancakes – A Necklace & A Recipe

Full Spectrum Fashion: Chain Reactions Signature Color Palettes

Introduction to Layering: Mixing Color Palettes to Create Two Different Necklaces