Chain Reactions Color Palettes ~ White Wedding
Fashion That Adapts to YOU = FADaptation
Even in seemingly unrelated fields – like architecture, engineering, chemistry, psychology and physics – a single theme remains highly consistent. Namely, across disciplines, researchers consistently realize that the most STABLE, EFFICIENT, BALANCED, HARMONIOUS, and SUSTAINABLE structures consist of both strength and flexibility. In other words, the most stable structures – as well as the most attractive, aesthetically-pleasing ones – include the perfect fusion of both male and female, yin and yang, direct and indirect elements.
Thus, the most effective and long-lasting designs combine both fixed structural elements AS WELL AS flexible joints, angles, bonds or connections. The epitome of this concept in the chain, with both strong individual links, and open space between each segment to allow movement and flexibility. With all of this in mind, shouldn’t your fashion accessories be flexible enough to adapt to you?
Some examples include:
ARCHITECTURE – A bridge is never built using one solid, continuous piece of wood, metal or concrete, but instead conssts of different segments of material, joined by an underlying infrastructure. This makes the structure more resilient to changes in temperature (freezing would otherwise crack a solid material), makes it more stable in poor weather conditions (allowing air to flow through a structure prevents it from being damaged by natural forces), and allows partial repairs to be made as needed to replace any damaged pieces.
To increase the longevity of a material, joints, or connection points are used – much like the various strand “ends” in the Chain Reactions collection – allowing the structure to adapt to changing conditions.
PHYSICS/CHEMISTRY – Atoms, molecules and larger structures rely upon a similar concept used in both bridge-building and modular design. This concept is the attraction of opposites. Althogh it may be interpreted through a variety of different metaphors, the familiar pairing of male and female is used to describe the complementary parts of many structures and patterns.
Whether describing positive and negative charges – or referring to an electrical circuit – the same two yin and yang elements emerge.
In modular designs, the number of interchangeable “male” and “female” (or positive and negative) connection points is increased. A normal jewelry piece tends to have one configuration, and thus, one matching set of male and female connection points. A modular jewelry piece is broken into smaller segments, much like the bridge discussed above, rendering the design more flexible.
Almost all tools, machines, and inventions include both male and female parts. In modular jewelry, the clasp and hoop/loop/ring it connects to form a secure connection.
BIOLOGY – The human body is full of structures that epitomize the yin/yang pairing. Consider how your bones, tendons, muscles and skin combine to form a complex combination of rigid structures, moveable joints and flexible connections.
Body decorations is just another form of “skin” that we wear on a daily basis. Consider how adaptive fashion can be – especially if it is flexible enough to enhance your personal growth over time. Fashion should be adaptive and social – a part of your spiritual and creative life that enhances your value as a person. Fashion should not feel like a burden, nor consume more resources than you can afford.
PSYCHOLOGY – Lack of mental flexibility – that is, the inability, or lack of desire to pursue new paths when old ones have ceased to function properly – is thought to be one of the reasons people become depressed. Ridgid thinking – if overcome through self-discovery, support from friends and family, and ample relaxation – is followed by creativity, problem-solving, and the pursuit of new paths. As part of a natural cycle of destruction and renewal, even “pathological” mental states can have underlying function.
The modular jewelry created by Lace Exoskeleton is intended to increase this type of creative problem-solving by offfering an interactive product that – like all humans – is infinitely adaptable. By playing informally with transformations, individuals gain mastery over the concept of identity as a construction. Because our jewelry pieces can change over time, they do not create a ridgid, fixed path that is associated with feeling “stuck.” Although it may appear that jewelry and fashion have little to do with mental health and well being, the fashion industry as it currently stands offers very little in terms of long term individual benefit and happiness. Because consumer products are designed to produce a “high” or “buzz” that quickly wears off – and is obsolete before you even had a chance to wear your new purchases – it leads us feeling stuck very quickly, and craving even more possibilities. This is an issue, considering we are living above our means, and practicing self-expression in a way that is unsustainable and detrimental to our own sense of self-worth.
Modular design gives you back the authority to alter, change, play and imagine your own ideal reality. Choose your own path – and rewrite it as needed to reflect your own neverending story. When you have the power to build your own lace exoskeleton, you no longer need brands to rely on branding to tell it for you. What you create is yours – no one else will wear it, build it, and rebuild it like you will.
BE YOUR OWN FAIRY GODMOTHER!
Intro to Modular Jewelry… and The Universe!
Sexy Scrapbooking @ Teasecraft
Clarissa Cupcake Talk @ Teasecraft This Month!
Sugar & Spice…Naughty & Nice:
Burlesque-Inspired D.I.Y with Clarissa Cupcake
WHEN: March 21st, 7:30-9:30pm.
WHERE: Artisans Asylum (map) Multipurpose room. Suggested donation $3-5.
Description~
Although rarely considered valid forms of technology – women’s contributions to fashion, jewelry, cosmetics, textiles, and the decorative arts serve as remarkable instances of innovation, technical prowess and skill – revealing the forgotten power of all seemingly trivial “decorative” techniques and practices.
Clarissa Cupcake will demonstrate the erotic potential of several surprising, unexpected genres – including scrapbooking, embroidery, beading and collage – and discuss the value of using feminine kitsche as a tool for psychological domination, power play, and humiliation. Fashion, jewelry, and cosmetics are explored as nuanced elements of erotic encounters, while themes of display, beauty and objectification are addressed. Emphasizing the role of gender as a powerful mental construct in erotic play, Clarissa will discuss how juxtaposing materials considered too cute, innocent and feminine for sex toys (e.g., lace, crystal, embroidery, ribbon, etc.) with more edgy, intimidating materials associated with masculine gender stereotypes (leather, metal, chain, etc.) can be used to elevate the experience of both dominance and submission. This effect is pronounced especially when stereotyped expectations do not match how an object or material is used – that is, when innocent materials inflict pain, and intimidating materials produce pleasure.
Examples from her burlesque costumes and props are used to visualize this tension between seemingly contradictory materials. She will show examples of her work as a visual artist and designer – along with her favorite tools and materials – finishing her talk with a short description of how color, texture and form can influence the power dynamic of any social interaction, concluding that erotic practices can enhance interactions in everyday social encounters, playing a key role in mental health and personal well being.
About~
Clarissa Cupcake is a cultural psychoanalyst, fashion/jewelry designer, inventor, and burlesque performance artist. She is the owner and founder of Lace Exoskeleton (lace-exoskeleton.com), and was recently awarded a provisional patent for her “Chain Reactions” modular jewelry and fashion design concept.
Lace Exoskeleton represents an artistic collective with the shared vision of empowering individuals to construct, enhance and assume artistic authorship over their identity and aesthetic persona. Specifically, Lace Exoskeleton encourages consumers to utilize sustainable, eco-friendly, and modular concepts to create their very own, personalized “exoskeleton” of collaged, appropriated, and collaborative fashion pieces that form a continuous artistic gesture we refer to as “identity”. By encouraging customers to think about body decoration as an art form, Clarissa hopes to empower people to see fashion as a deeply personal, meaningful collection of symbols, colors, textures and design details that capture the essence of deeply personal content – from actual memories and recollections to inner visions, fantasies, desires, and unrealized dreams. Through transforming everyday consumer choices into spiritually meaningful, artistic, and emotionally engaging collective experiences, she hopes to refocus consumer desire to favor sustainable, ethical, and artisan-made products and services. You can visit Clarissa Cupcake and her partner in crime, Pinkbeetle, in the following places:
Lace Exoskeleton Studios: The Artisans Asylum, Somerville, MA – Studio #69 (no need for a
pneumonic device to remember this address!)
Website: Blog, D.I.Y. resource, upcoming events resource, & collective art
project: lace-exoskeleton.com
Facebook: Lace Exoskeleton, Clarissa Cupcake
Body collage performance art @ Arisia 2014
Spontaneous performance art by Lace Exoskeleton at Arisia 2014, featuring temporary tattoos created to introduce the Chain Reactions Modular Jewelry Collection. Tentative release in February!
Lace Exoskeleton patent drawings transformed into temporary tattoos.
Jess-collage
12/7/13 1pm-4pm Chain Reactions Interactive Performance Art!

~Attention Boston friends~
Lace Exoskeleton’s latest event will take place at our new studio in the Artisan’s Asylum, as part of a larger gathering: Artisan’s Asylum Winter Open Studios 2013! Performance art and product demos by Clarissa Cupcake, along with sweet treats, freebies and a chance to pre-order from the Chain Reactions collection! In addition, check out a myriad of surprising, gorgeous, and innovative hand-made gift options, novel inventions, hard-to-find technologies, awesome artwork and in-progress projects & events by our fellow artisans – whose work represents cutting edge, rare and clever reinterpretations of almost every industry in both the arts and sciences. Time of Lace Exoskeleton performances TBD. Open Studios run from 1-4pm. See you there!
WHEN:
Saturday Dec. 7th, 2013, 1pm-4pm (performance times TBD: check the event’s Facebook page for live updates)
WHERE:
Artisans Asylum (map)
Lace Exoskeleton Studios: #69
10 Tyler Street
Somerville, Massachusetts 02143
Psychology of Color

Color embodies one of the most powerful tools for self-expression and visual communication – transcending the barriers of verbal language, culture, education, and socio-economic status – a universal language which all humans equally share and understand. This occurs simply because the emotional information encoded within colors remains far too abstract, intangible, and universal for any one person to control, monopolize or restrict access to its meaning; however, this does not mean that people cannot be deceived into believing that they lack the authority, education, or status to use, wear and express themselves via color, as if color itself can be owned exclusively like any other possession. Just as kings and queens of the past claimed an exclusive right to don robes dyed with the rare Tyrian purple dye – derived from the immune secretions of various sea snails (commonly mistaken as coming from their shells, rather than their bodies) – contemporary culture remains saturated with “exclusively owned” colors, belonging to specific brands, products, and individuals who purchase the right to restrict their use. In this context, color itself becomes a status symbol – such as the “Tiffany blue” box used by Tiffany’s to encase its designer jewelry, or the sterile, streamlined white of so many Apple products. Even worse, people feel that they lack the education to interpret color – and all artistic, creative, and universal gestures that normally transcend arbitrary barriers – robbing us of our shared language, and isolating us from one another indefinitely. If we can remember our universal connections to one another, then we are one step closer to erasing hate, prejudice, injustice, terrorism, and violence. Color is one of the easiest formats for exploring our shared roots, for we all share:
Red: the flicker of fire in darkness, passion, sparks, and fruit ripening seductively on a tree branch.
Orange: candlelight, more fire, citrus, warmth, honey, sunlight.
Yellow: sunshine, our first reference point in the sky – our sun- and our shared benefactor who gives us life, energy, warmth and light.
Green: lush, growing things; plant life, leaves, and moss.
Blue: water, the sky, the moon which guides us even in darkness.
Purple: the fringes of time – twilight’s glowing sky, autumn leaves, shadows, caves and the depths of the ocean.
Here we see in this spectrum our own shared spectrum, and realize how light and darkness merge, intertwine and depend upon one another for sustenance as well as continued existence. In perpetual harmony, balance and peace, they cancel one another out, and in their multiplicity, diversity and difference, they converge at a common origin.
Merry Material World! Capitalist Distortions of Sacred Rituals, Sacrifice and Spiritual Celebrations
Is you holiday about getting the cheapest price, securing the rarest limited edition collectible items and competing with others to win the title of champion gift giver? The survival of the fittest mentality and pervasive sense of aggression, competition, ownership, possession, desperation, and impulsive consumption suggests that we need to re-evaluate our American Ideology, and ask ourselves whether our over-zealous, flashy, and often financially irresponsible “holiday spirit” truly reflects charity, or something more complex and far darker. The charitable spirit of the season reflects a time when humans traditionally faced very real scarcity of vital resources – food, shelter, warmth, water, fire, animals to hunt or slaughter, plants to forage or harvest – and they needed to collectively create an insurance network that would prevent dissent into chaos as more and more good families ran out of key resources, and began to revert to wild, fight or flight responses in desperation. Stealing, aggression, and violence emerged only when their needs were ignored, and those who still had stores kept the excess for themselves. This season is about sharing what we have to prevent one another from sliding into homelessness, poverty, starvation, deprivation, and scarcity. Gifts are used to recalibrate social and psychological balance between two individuals who can enhance one another’s wealth, prevent suffering or exchange one needed resource for another. Charity is about giving to those who need; but it is also about giving what is sustainable – not the excessive, unaffordable, financially reckless gestures that we feel pressured into performing because charity has been made into a competitive sport to increase profits. Think about your options, and choose gifts that enhance the stability, beauty, connectedness, and emotional bond in your relationships. Do not turn you into a frenzied, desperate consumer; Charity is not about suffering – true charitable acts feel good, and trade personal excess for affection, love, and a reciprocal promise to share with one another
The American spirit of competition pervades every facet of our lives, and in recent years an unhealthy, obsessive, unsustainable, and culturally destructive mentality has infiltrated even the most sacred aspects of human life. Ritualistic seasonal celebrations – like Christmas, Hanukkah, Thanksgiving, and Kwanza – emerged as a defense against the constant decent into primitive aggression and moral depravity created by the traumatic winter/drought season. The natural scarcity of food, water, heat, light, and many other life forms during these cyclical cleansing periods (which made room for new growth by shedding worn out, diseased, non-functional structures that would otherwise become destructive in their overgrown state) impeded human culture for thousands of years because humans could not understand the benevolent, merciful, healing qualities of annual death and rebirth cycles. Not perceiving that this cyclical redistribution of energy remains critical to ecological balance (much like a last resort defense against overpopulation) humans overlooked the very conceptual framework that could save them from their seasonal suffering. The winter/drought season (much like sleep and rest function in neural/physical healing processes) destroys mostly the broken, corrupt, excessive, unsustainable, suffocating, stagnant and overgrown/overpopulated manifestations of life energy that have become redundant, mutated, destructive or simply detrimental to harmony, balance, cooperative co-existence and function. Like an overgrown tree that blocks all light, and kills every seedling below it, humans can become resource sucking monsters, especially when they are overpopulated; however, our unique gift is that we can choose to share and redistribute energy before we become unbearably oppressive and detrimental to the system. The tree cannot prune its branches to let the light in; but we can give others what they need, and we do not. Thus, until humans could emulate this seasonal process by controlling their own excessive hoarding, and sharing surplus wealth, the annual dark age persisted each year. As various cultures replaced some exclusive/individual ownership codes with a higher ethical responsibility compelling generosity/sharing/charity with those who have contributed, but due to circumstance or chance did not reap the same rewards – they finally overcame the yearly dark age that stifled cultural advancement. Through communal stores of surplus wealth, food, and critical resources that could be shared over the coming months, everyone was ensured survival, security, and cultural stability, harmony, and reciprocity. The joy, cheer and warmth of the holidays reflect this interconnectedness and our interdependent nature as human beings. In the end, exclusive ownership of one’s harvest only seemed sensible to those whose crops were not affected by disease, natural disaster, or drought, but it remains painfully obvious that no one could predict, avoid, or circumvent the random hardships and deprivation/scarcity to come.
A dark age often polarizes the gap between rich and poor – but humans posses the “divine gifts” of various spiritual insights brought upon by the cyclical random suffering of seasonal scarcity. Suffering evokes transcendence, inner peace, compassion and eventually, human cultural/physical/spiritual evolution. Like sunrise follows darkness, dark ages can only precede enlightened ones. When humans have evoked or re-discovered this higher purpose (a greater good, a holistic approach to poverty and starvation, interconnectedness, oneness – sometimes personified as a deity or god/goddess), new technological/cultural advancements can be implemented. Our celebrations, though formatted as rituals and practices – are a reminder of our inner darkness and search for light. The holidays evoke symbiotic interconnectedness, and remind us to redistribute wealth/skills/knowledge/resources and share shelter, food, and material goods to fend off the fight or flight desperation and oppression that engender and sustain all evil on this earth.

